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Montréal in Summer
Story By Bill Scheller

Montrial skyline viewed from the parc Jean-Drapeau
Montrial skyline viewed from the parc Jean-Drapeau
©Tourisme Montrial
The early summer twilight lingered until well past nine, and a full moon shone over Montréal. I got off the subway at the Pie IX stop, and walked east past the Botanical Gardens, past the strange suspended concrete clamshell of Olympic Stadium, towards Maisonneuve Park.

Je Me Souviens - I remember - is a most apt motto for Québecois license plates, because even in this relentlessly contemporary city most public nomenclature harks back to people and things of a distant past - the park to the city's founder, the 17th-century Sieur de Maisonneuve; the subway station and the boulevard it stands on to a pope, Pius the Ninth, who reigned a century and a half ago.

I was on my way to an annual revel born of pride and remembrance. It was June 24, the feast day of St. Jean Baptiste - John the Baptist - patron of the province. Born in the country parishes and secularized now as the National Festival of Québec, St. Jean Baptiste Day is celebrated nowhere so heartily as at this great gathering in Maisonneuve Park.

I was able to walk only so far into the park. After that, it was more a matter of slinking sideways as I found the points of least resistance in the ever-thickening crowd. The blue-and-white fleur-de-lis flag of Québec flew everywhere. People wore big flags as capes; they waved small ones in rhythm to a 10-piece band that powered out rock, reggae, Latin, funk, folk, and torch songs. The crowd seemed to know the words to the schmaltziest numbers, and they went wild when the lead singer yelled out Vive Québec Souverain - long live sovereign Québec - at the beginning of an acoustic ballad. But there was no cranky separatist edge to the party, and I never felt like I'd better keep my Anglo trap shut. It was just St. Jean Baptiste Day, and everybody was feeling ... well, sovereign. I felt pretty sovereign myself. It was the only time I've ever stood in a crowd of a quarter of a million people that was in anywhere near so good a mood, and it was contagious.

It never surprises me that things are different in Montréal. It isn't just the language and culture; Montréal is the second-largest French-speaking city in the world, but today it is a vortex of myriad ethnicities, and English is hardly uncommon. Montréal's apartness is physical, and for all its cosmopolitanism its special character is insular. The city is an island, croissant-shaped and 32 miles long (11 wide at the elbow of the croissant), wedged amidst the rapids of the St. Lawrence River. I have crossed the St. Lawrence bridges by car, by train, and - one cold rainy day - by bicycle, and each time the downtown towers and the steep wooded hump of Mt. Royal seem a world apart, and the sense of departure from a physical and figurative mainland seems most real. As in the United States, Canada's most alluring city is an island.

The morning after the St. Jean Baptiste party, I hopped a westbound subway and headed for the Atwater Market. If June 24 in Maisonneuve Park is a one-day party, Atwater Market is a year-round celebration. It is one of four public food markets in Montréal, and it is the best - a steepled yellow-brick art deco basilica of food, the cultural antithesis of a supermarket.

Tourisme Montrial, Stiphan Poulin
Atwater Market
©Tourisme Montrial, Stiphan Poulin
But Atwater isn't a farmers' market, either; its cornucopia spills all year, not just in autumn, and while you will never see eggplants and tomatoes and squashes, beans and pomegranates and lychees pyramided as artfully as they are here, the real core of the place is its long indoor corridor of vendors - there are 26 in all - displaying meats, cheeses, bread and pastry, coffees and teas, wines and spirits as if all were meant less for the sustenance of body than of soul. Atwater Market is the edible refutation of all the Calvinism in the world.

In the space of a long walk down that cheering hall and through the warren of shops beneath it, I found native Québec cheeses made with unpasteurized goat's milk, alongside revered Reblochon, Pont l'Evesque, and Roquefort. I took a carnivore's pleasure in the pink carcasses of rabbits and lambs, in rosy roasts of beef and coiled heaps of sausages tinted green and purple by their seasonings of spinach and red cabbage. I stopped and ate a buttery little almond tart while devouring, with eyes only, row upon row of gâteaux topped with mirror-glazed fresh fruit and filled with Lord knows how many layers of airy genoise and dense pastry cream. And I picked my way through bottles of clear Alsatian fruit brandies, old garnet ports, odd vintages from Sicily and the black wine of Cahors -- all the while feeling judged and found wanting by the great growths of Bordeaux behind their locked iron grating.

The great art historian Kenneth Clark once wrote that he couldn't define civilization, but added, "I think I can recognize it when I see it." If Lord Clark had ever walked into the Atwater Market, I think he would know what he was seeing.

Montréal's greatest summer celebration is its Jazz Festival, held for nearly two weeks in early July. Now in its third decade and often cited as the most important event of its type in the world, the festival not only encompasses traditional jazz forms but "stretches the definitions to include blues, fusion jazz, and world music," says co-founder and artistic director André Menard. "We also present the European style of jazz, which is more chamber-like, more cerebral. Many of the Europeans wouldn't play at all in North America, if they didn't play here."

Night at the Montreal Jazz Festival
©Tony Tedeschi
Visiting Montréal during the weeks of the Jazz Festival for the first time, I was struck by how thoroughly the music and the festival spirit define the downtown atmosphere. This isn't one of those festivals that a big city absorbs and makes invisible, so that it is impossible to tell whether anything special is going on unless you buy tickets for an evening event at an indoor venue. There are plenty of those - on successive nights out, I took in terrific shows by Larry Coryell in the intimate surroundings of a stone-walled church basement, and Manhattan Transfer in a symphony-sized concert hall. Wynton Marsalis, Herbie Hancock, Pat Metheny and dozens of other first-tier performers amply bolstered the festival's prestige at other paid-admission sites.

What makes Montréal jazz central each July, though, is the virtually nonstop series of free outdoor performances on stages set up around the downtown hub of Complexe Desjardins and the Place des Arts. Local artists and out-of-towners - many only a year or two away from celebrity status at ticketed evening concerts - play for free at this great happy midway of jazz, where it's easy to stroll from one stage to another, perhaps stopping between sets for a glass of wine at one of the tents set up for the duration among downtown's spacious open plazas. "For Montréalers, the festival has made them tourists in their own city," says André Menard. "It gives soul to downtown Montréal. It transforms the way people see the city."

And he's just talking about the locals. For the rest of us, used to a continent dotted with sober beehives, the Jazz Festival is a welcome education in just how much fun a city can be. (For a lineup of this year's performers - including Diana Krall, Tony Bennett, Wynton Marsalis, k.d. lang, Oscar Peterson and Oliver Jones, click on: www.montrealjazzfest.com )

On a hazy summer morning in Montréal, I took a three-mile tour around the world.

Boulevard St-Laurent begins down in Old Montréal, hard against the river opposite the King Edward Pier. But it doesn't come into its own as an icon of the city's polyglot ethnic character until it skirts Chinatown, several blocks to the north. Even here, that character is muted. After all, every big North American city has a dense little Asian quarter - and for several blocks after I passed beneath the pagoda-roofed "Welcome to Chinatown" gate on Boulevard René-Levesque, heading in the opposite direction, St-Laurent faded from Shanghai reds and greens to a grey zone of army-navy surplus and cheap shoe shops, and bargain electronic joints with dirty windows. Outside one of those stores, though, I saw a turbaned Sikh navigating a hand truck stacked with CD players, and I sensed that my nutshell tour of the globe had begun.

Boulevard St-Laurent, which used to be considered the rough boundary line between the Anglophone (west) and Francophone (east) parts of the city in the days when there was a more pronounced Anglo presence, has long had a far more tangible status as the place where immigrants gravitate as soon as they arrive in Montréal. As I walked north along the boulevard, one nationality after another announced itself in restaurant signs: The Mazurka (Polish), La Taverne Grecque, La Maison Thai, and a Hungarian charcuterie. It wasn't just a gallimaufry of cuisines: in the pocket-sized Parc du Portugal, I heard two girls speaking Portuguese. I passed a Polish credit union, and several business that apparently catered to a Peruvian clientele; along one three- or four-block stretch, I counted half a dozen heavily-bearded Hasidic Jews in black felt Homburgs.

In the middle of it all stands Schwartz's Charcuterie Hebraique, known far and wide simply as Schwartz's, the smoked meat place. Smoked meat is a Montréal phenomenon, a tradition of the eastern European Jews for whom Boulevard St. Laurent, through much of the 20th century, was "The Main" celebrated in the novels of Montréaler Mordecai Richler. There is no real equivalent of smoked meat in the United States; pressed for a definition, an aficionado might say it's a cross between corned beef and pastrami. But it transcends both.

McGill University and Mount Royal
McGill University and Mount Royal
©Tourisme Montrial, Stiphan Poulin
Schwartz's front window is heaped with whole briskets that have been corned and smoked on the premises. Over the day, these dark spice-imbedded slabs will disappear into hundreds of sandwiches, with rye bread serving as little more than a vehicle for mustard and an edible napkin. Customers waiting for tables in the long, narrow, 70-seat establishment line up and trail out the door. "This is a slow day," I was told by Frank, the manager, when the line only reached 10 yards up the block.

Another reminder of the once-pervasive Eastern European Jewish presence along St-Laurent and its cross streets is the St. Viateur Bagel Shop, several blocks west of The Main. Here, though, Montréal's kaleidoscopic multi-ethnicity really shines through. St. Viateur, where deep wood-fired ovens glow so fiercely you'd think they could smelt iron, was purchased from its Jewish founder by a Montréaler of Italian ancestry, Joe Morena, who had started working there as a boy. Walk in today, and along with Joe you might see Asian, Hispanic, and Québec French bagel-makers crafting the bakery's sole product right behind the counter in the tiny store. "Crafting" is just the word. The only job done by machine here is mixing the dough, slabs of which are hand-cut, rolled and fashioned into circles, plopped into boiling water, then retrieved to be poppy- or sesame-seed coated and slid into the oven on long wooden paddles.

Buyers watching this bagel theater, as they queue up for a dozen, see everything except the most distinctive touch at St. Viateur: "We put honey in the boiling water," says Morena. "That's what gives our bagels their little touch of sweetness."

Despite having a squeal-proof, rubber-tired subway that is the closest thing to teleportation in the realm of urban transit, Montréal is a superb walking city. This is all to the good, since locals and visitors alike can use the exercise: After New York, Montréal is perhaps the best restaurant city in North America. As I saw on my walk up Boulevard St-Laurent, the array of ethnic choices is sublime; my own favorite among them is a gymnasium-sized,second-floor Chinatown dim sum place called Kam Fung, where you just can't wait to see what the lady with the next cart will bring. It would be a mistake, though, to table-hop through Montréal with only cultural diversity in mind. French cuisine is the city's great glory, and it has its temples old and new.

At venerable Chez la Mere Michel, occupying airy and elegant rooms in a stone townhouse on Rue Guy, chef-owner Micheline Delbuguet's black-tie waitstaff made a splendid presentation of an ethereal swiss cheese soufflé, roast pheasant surrounded by gratineed mushrooms, and a voluptuous strawberry Napoleon. At Bonaparte, on Rue Francois-Xavier down in Old Montréal, I nestled into less formal surroundings and soldiered through a seven-course degustation menu built around a ginger-tinted lobster bisque, a puff of goat cheese and almonds in phyllo, a confit of quail legs clutched around a heady ratatouille, and a butter-tender tenderloin of beef in a demiglace studded with morels.

The Montréal French restaurant I love best, though, is still the Paris, on Rue Ste-Catherine. Just where you'd expect another storefront, a door opens on a big room made cozy by red leatherette banquettes, an indoor striped awning, old theater posters and framed prints of Paris scenes. The effect is that it's 1955 (not coincidentally, the year the Paris was founded), and that you're settling into your favorite bistro in your home arrondissement. Nothing fancy here; just French provincial comfort food, with second helpings. On a cool, drizzly evening, I was delighted to see brandade as a main dish: a velvety pudding of codfish, potato, garlic, and olive oil, soulful and fortifying.

Over a carafe of Muscadet, I talked with Sebastien Poucant, whose grandfather founded the Paris, and who runs it today with his father Guy. "How come," I asked, "with all the trendy restaurants that come and go, all the ethnic cuisines of the moment, all the fusion, how come you've stayed in business all these years?"

"Good food," Sebastien said. "Good service. Good prices."

I couldn't have gotten a simpler answer, or a truer one.

It now seems an eternity ago, but there was a time when an Anglophone minority held sway in Montréal, when the words "St. James Street" - Rue St-Jacques today - meant the same thing that "Wall Street" does in the United States. St. James/Jacques is way downtown, in what today is called Old Montréal; when their work at the banks and brokerages was done for the day, Englishmen and Scots of consequence headed west, to that part of Mt. Royal's slopes called the "Golden Square Mile," and farther still to Westmount, where at least half the houses seem to have been designed by Sir Walter Scott, and the street names read like a glossary of Great Britain. The Golden Square Mile begins along Sherbrooke Street, more or less in the vicinity of the Ritz-Carlton, where on a warm summer evening I watched English-speaking prep school boys in tuxedos that fit too well to have been rented play hacky-sack while their prom dates - or was it a formal wedding reception? - gossiped in silk gowns beneath the hotel's bronze-and-blue-canvas entrance canopy. Across the street stands the Mt. Royal Club, a block of granite so staid, square, and still that it simply had to have been the model for Montréal humorist Stephen Leacock's fictional Mausoleum Club.

But the Ritz preppies could just as well have been French, and their fathers might easily today pass muster at the Mt. Royal. Mansions are gone now from the Square Mile, which is all posh shops and apartment buildings. The old financial district is still there, much brightened by antiques shops, bistros, and loft conversions; at Place d'Armes, the columned grim facade of the 1817 Bank of Montréal building stands opposite the neo-gothic Basilica of Notre Dame, like a bluff Scotch banker seated with wary cordiality across from a French bishop in a sleek soutane.

One day as I walked the narrow streets near Place d'Armes, a small historic marker caught my eye. It stated that nearby, in 1675, lived Daniel Greysolon, Sieur du Lhut, Explorateur. Now there is a name to conjure with. Rearrange the letters in "du Lhut," and see how far the men of Montréal ventured in the seventeenth century: on the western shore of Lake Superior, in today's Minnesota, there is a city named after an adventurer who got there, from here, by canoe.

Looking for further reminders of the days when Montréal stood at the head of the great fur trade that opened the way to discovery of much of the North American interior, I headed out to Lachine, on the banks of the St. Lawrence west of the city proper.

Rafting on the Lachine Rapids
Rafting on the Lachine Rapids
©Les Descentes sur le St-Laurent
In French, Lachine means "China," The name was coined in the 17th century, when this outpost of the main settlement on the island of Montréal was the home of Robert Cavalier, Sieur de la Salle, whom history remembers as the first European to descend the Mississippi River to the Gulf of Mexico. La Salle used to hop in his canoe, scoot up the St. Lawrence, and paddle back and forth across the Great Lakes as if he were going down to the corner for a fresh baguette, and all his comings and goings were guided by one overriding ambition: he wanted to find the way to China. His friends began chiding him for his certainty that he would discover a water route to the Middle Kingdom, and they took to calling his home base "La Chine."

China was a lot farther away than La Salle thought. But already, in his day, the colonists of New France were realizing that something easily as valuable as silks and spices lay within their grasp along the vast waterways of North America. Abetted by Indian allies and by the whims of fashion back home in Europe, Montréal was about to become the headquarters of the greatest fur-trading enterprise in history.

It wouldn't be hard to argue that the city of Montréal itself is one big monument to the fur trade; furs built the fortune that endowed McGill University, the "Harvard of the North," and the flagship restaurant in the Queen Elizabeth Hotel is called the Beaver Club. But the epicenter of fur-trade Montréal is a little stone building in Lachine itself, hard by the broad St. Lawrence at the western end of the Lachine Canal. This is the 1803 fur warehouse of the North West Company, later merged with the legendary Hudson's Bay Company, which for more than half a century served as the chief depot for furs reaching Montréal from the vast Canadian hinterland. Inside this stout gray box of a building, little larger than a roadside tavern for all its one-time importance as a keystone of empire, Parks Canada has assembled a quirky but informative trove of fur trade memorabilia. It's interactive, too - I tried on a beaver felt top hat (very becoming), learned that the perfectly logical French name for raccoon is raton laveur ("the rat who washes"), and got onto a scale to find out that thanks to lobster bisque and strawberry napoleons, I could never qualify as a voyageur in the employ of the North West Company - there was a 63 kg (about 140 pound) limit, since the idea was to save as much canoe space as possible for beaver pelts. The little guys could certainly paddle, though - some could manage 60 strokes per minute, an almost propeller-like pace.

I also learned that in 1765, in the Canadian woods, a crucifix was worth one beaver pelt, while three pelts would get you a keg of rum. If there was any record of three crucifixes being traded for the rum, Parks Canada wasn't telling.

To stand on the banks of the St. Lawrence at Lachine is to look upriver into the heart of North America, to the thousand-mile skein of the Great Lakes and the river-ribboned forests of Ontario, Manitoba, and beyond. The Lachine Canal was built as a way around the rapids that turn the St. Lawrence treacherous at Montréal, and it did its job for well over a century until it was replaced by the St. Lawrence Seaway that threads along the opposite bank. As expansive as those westward vistas and reveries might be, I turned back east, back to the heart of the city, where the old canal has returned to life as a waterway for pleasure craft.

At the other end of a footbridge opposite the Atwater Market, there is a new boat dock and a kiosk where rentals can be arranged. Passing over the kayaks and paddle boats, I opted for a little electric runabout. I headed first upstream, towards the bustle of the docks and the piers of Old Montréal; then back west towards Lachine. My boat purred through a palimpsest of history - a landscape of brick factories being transformed into condos; brooding grey steeples of old Roman Catholic Québec; roads that headed on to Ottawa and Toronto and all the places the voyageurs sought out at 60 strokes per minute.

I returned to the dock and walked back over the bridge. Approaching Atwater Market, I found myself surrounded by a canal-side party. Before I had a chance to ask anyone what was going on, a server handed me a glass of champagne, and offered a platter of strawberries.

"What's the occasion?" I asked a man standing nearby.

"It's the dedication of the canal," he answered. "It's been open to boats for a few weeks, and the new pathways alongside are finished, but today they make it official."

As I reached for another strawberry, I wasn't entirely sure that the man hadn't given me a querulous look, as if he were wondering why I should think there needed to be an occasion.

After all, it was summer in Montréal.

For more information, click on: http://www.tourisme-montreal.org








For the second time in four years, naturaltraveler.com has won the Canadian Tourism Commission’s Northern Lights Award for Internet Reporting, this time for my article entitled: "Newfoundland, Where Landscape Defines Literature." It is another in a series of journalism awards writers for the site have won over the past few years. I am particularly proud of this award because the article calls attention to the kind of innovative, in-depth coverage, by my fellow journalists, that defines naturaltraveler.com. It also represents the level of planning and cooperation that goes into articles for the website. Beginning with the premise that many people choose a destination on the basis of a beautifully wrought piece of fiction, I found a wonderful example in Newfoundland and worked closely with Gillian Marx of Newfoundland & Labrador Media Relations, who was indispensible in setting up the interviews with the world-class authors who are quoted in the article. I feel I share this award with Gillian and her colleagues.

If you’d like to read the article, click on: Newfoundland, Where Landscape Defines Literature
Awarded Second Place for Internet Travel Reporting by the Society of American Travel Writers Central States

–for John Ostdick’s story (June 2004): Acapulco Revisited: A New Look at the Poster Resort
Winner of the Canadian Tourism Commission's 2002 Northern Lights Award

–for Internet travel writing and photography for a story in the June edition: Calgary Stampede: Ridin’, Ropin’ and Madcap Chuck Wagon Races."
Awarded top prize for foreign travel by the Society of American Travel Writers Central States

–for Marilyn Bauer’s story Nature’s Time Machine on the Galapagos Islands in the May 2002 edition.

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